Introduction: So I've been reading Angelia Sparrow and
Darren Bloomquist's HARD REBOOT (2012,
Amber Quill Press). While this isn't the first book of Ms. Sparrow's I've read,
this title in particular contained such attention-to-detail worldbuilding that I
became very curious about her background as a science fiction and fantasy fan.
I'm sure my reaction had a great deal to do with the
dark, post-apocalyptic setting and vivid cyberpunk elements. Something
about the prose told me she was committed to creating a compelling world for her
readers.
I'd characterize HARD REBOOT as a gritty cyberpunk suspense story with strong romantic elements. Its particular style of graphic sexual content means it's not for the faint of heart, but the tale is thought-provoking nonetheless. (I'm hoping to blog more about HARD REBOOT when I'm done, but in the meantime, a review at Hearts on Fire provides many helpful tags).
I'd characterize HARD REBOOT as a gritty cyberpunk suspense story with strong romantic elements. Its particular style of graphic sexual content means it's not for the faint of heart, but the tale is thought-provoking nonetheless. (I'm hoping to blog more about HARD REBOOT when I'm done, but in the meantime, a review at Hearts on Fire provides many helpful tags).
Given my experiences reading Angelia Sparrow's work, I
invited her aboard to blog about the SF/F influences that informed her writing.
As it turns out, she's had a very interesting journey and is here to share
it with us.
Details for an ebook giveaway follow her post. Enjoy!
***
A big thank you to Heather for having me here today. When
Heather asked me to blog about early influences: TV, movies, fanfiction, she
hoped I'd say yes. She didn't expect the answer she got.
“You want early influences? Try
this. A few years ago, I was talking to a man and he said, 'You have the most
unusual accent. I write voice recognition software and I've never heard
anything quite like it. Definitely midwestern, Upper Missouri or Kansas, and
Nebraska. But there's a heavy television overlay, California, but almost
Canadian.' I laughed and said it was Canadian with a side of California. I had
watched a lot of television as a small child, and my favorites were Star Trek
and Lost in Space. The Williams, Shatner and Mumy, helped teach me to talk.”
While this is not literally true—I did have parents and grandparents who talked
to me and read to me-- they did help me refine my speech, since I had been deaf
during much of my primary language acquisition period.
My earliest and most vivid TV memories are of Star Trek,
Lost in Space and Wild Wild West (steampunk before there was steampunk). I
liked the drapes on the Newlywed Games, and the bubbles on Lawrence Welk and
“Amanda Blake as Kitty,” but it was Trek I actually remembered scenes from and
sought out again in my teens.
When I was nine, Star Wars roared onto screens. The whole
country was gripped, but I was rapt. There it all was, just the way I had known
it could be. The novelization became the first full-length adult book, with no
pictures, that I ever read. (Dr.
Doolittle books were longer, but they had a few pictures) The following summer, I was introduced to
Edgar Rice Burroughs and swept off to Mars. When I saw the trailer for John
Carter a couple years ago, my children were appalled at how loudly I squeed. I
had waited more than 30 years for that movie.
I read a lot of science fiction and fantasy in the next few
years. I got the complete Lord of the Rings for Christmas in 1978, about the
time the Bakshi movie came out. I still have memories of recovering from ear
surgery the following February, and alternating my huge reading vocabulary
assignment with chapters of The Two Towers.
The early 80s were a great time for SF. Star Wars. Star
Trek. Buck Rogers. Flash Gordon, where I developed a harem fantasy and an
unending crush on Max von Sydow. Ice Pirates, my introduction to Anjelica
Huston. Indiana Jones, not SF, but where I got my taste for swashbuckling
When I was 15, I was introduced to fanfiction. We were feral
fans, my friend and I, writing our own stories, and not knowing that thousands
of women across the country were doing the same. We found the local fan group
and bought one of their zines, which we read to tatters. We loved it.
Alternative points of view, missing scenes, alternate endings, everything. When
we went to our first SF convention, George Takei and Anthony Daniels were
guests, we quickly learned more. I heard of slash and saw naked Jim Kirk fan
art. I was traumatized, yet enthralled and determined to be part of that world.
Fanfiction went on hiatus as I got into gaming and started
writing adventures for that. I dabbled with fantasy throughout high school and
college, each piece more erotic than the last, although my own sex life was
literally ambidexterous. I found mailing lists and had e-mail from 1987
onward. I frequented usenet News Groups
and rediscovered same-sex erotica through Elf Sternberg's Journal Entries on
alt.sex.bondage. I wasn't a huge fan, Anne Rice's Beauty series having rather soured
me on it, and on too many spankings.
Then married life and children ate me.
I forgot about gaming. I quit writing. There was too much to
do.
Until 1998, when Buffy the Vampire Slayer seized my
attention. Now, there was the internet. Now, there was fanfic at my
fingertips. As I told Nicholas Brendan
at a convention last summer, “You may be responsible for this,” I gestured to
my crate of books, “ten novels and oodles of shorts, and all because I had to
write Xander fanfic after Killed by Death.” He laughed and hugged me again.
I made my first website. By the time Geocities closed, I had
written in ten primary fandoms, including Brimstone, Star Wars, Star Trek,
Indiana Jones and Narnia (pre movies). I had 13 orphan fandoms as diverse as
Anastasia, Captain Blood and Witness. And more than a few crossovers. I was the
list-mom for Luke_and_Han at yahoogroups. I'd been in fanzines and started
doing SF conventions.
Then I found Fandom High, an online RPG. As I always say
when asked how I got started writing with Naomi Brooks, “Once upon a time, Han
Solo fell in love with Bagoas.” Which is pretty much what happened in game. Out
of game, we played with some stories, discovered we made a good team and
started writing books together.
My sources show, if you know where to look in my books.
Hopefully not like a cheap slip, but they are there and those who are looking
will see it. Some bits are more obvious than others. Some are blatant homages,
as when a character is looking at a post-apocalyptic assembly of vehicles, led
by a masked man and thinks of The Road Warrior. Others it takes me until the
third editing round to realize, “Oh dear. My spiffy urban fantasy is 'Sons of
Anarchy' Mary Sue fanfic in Urban Fantasy drag. Ooops.”
Whatever we're being fannish about has a way of ending up in
our writing. We went through an Errol Flynn kick, and that resulted in the
Robin Hood novel, Cherry Tart, Curse of the Pharaoh's Manicurists and a
western. He also inspired Commander Cliff Cody, of the Space Exploration
Rangers, who has two short stories. It's also having an effect on a steampunk
boxing piece, although the Flynn muse is resolutely sitting that one out,
having sworn never to do SF again.
I describe the steampunk short story, “Cherry Tart” as “a
big stagecoach romance, starring Olivia DeHavilland and Errol Flynn, except the
stagecoach is a spaceship to Jupiter.”
The Robin Hood novel is even more obvious, since we used all
the set pieces and lines from almost every Robin Hood movie ever, including Mel
Brooks and Disney. But Sweeney Todd found its way in as well. I watched the
scene with Anthony and Judge Turpin far too many times, since those were two of
the player-bases/mental cast.
Barbarossa's Bitch is what happens if The Sons of Anarchy,
led by Adam Lambert, decide to re-enact The Postman. But there are subtler
things in there too, such as Barbarossa telling Dylan that yes, he has an
Amazon daughter, by their leader General Prince, but her name is Diana and they
claim she was made of clay and brought to life by Hera. Even Dylan's taken
name, Kane, is a Buck Rogers allusion.
Nikolai, the gateway book to my dark future universe,
started as Star Wars/UC:Undercover crossover, with a dab of Smallville for good
measure. When I started writing more in that 'verse, including Glad Hands, I
drew on my travels, on a lot of truck driving songs and on political stuff I
was reading.
Even in my latest release, Heart's Bounty, Gabriel Belthir and I played with a lot of the
cliches of space opera, and we also stuck a few sly SF in-jokes into our
romance. The boys first get together on a planet called Taushi. There were more
than a few jokes between Gabriel and myself about whether the primary export of
the planet is power converters. (Yes, I know it's spelled Tosche, but they
sound alike)
If you keep your eyes open, there's no end to what you might
see. The influences are there, if you want them. If not, sit back and enjoy the
story.
My work can be found at http://www.brooksandsparrow.com
I can be found on facebook as Angelia Sparrow
Inkstained Succubus,
my small press, welcomes SFR.
**
Now for the giveaway! One lucky passenger can enter to win a
digital PDF copy of either HARD REBOOT or HEART'S BOUNTY!
Hunting is a young man’s game and Miho is well suited to it. He is a product of centuries of selective breeding, making him human-plus. He has a reputation for finding his quarry. But he doesn’t expect to find an older man at the Tag Board looking for work of his own.To enter, leave a comment for this post. To make it more fun, describe your very
Hevik was outlawed and banished from his homeworld, and now lives a solitary life hunting small-time criminals among the planets. A pretty boy with hair as dark as deep space makes him reconsider that lifestyle.
As the fates keep throwing them together while they pursue the same bounty, both of them discover depths about themselves, and about their lust and need for each other, that makes chasing their quarry all the more dangerous.
Inside Scoop: This highly charged male/male tale of two bounty hunters scorches across galaxies! There are scenes of m/f, f/f, threesomes and moresomes. There is also a very brief rape scene. Don’t worry, our heroes get their happy ending!
The deadline to enter is midnight PST on Saturday, June 15,
2013. I'll choose a winner at random.
Joyfully yours,
Heather